One of the exciting attributes of my work is the absence. Inspired by watercolors where the white of the paper (the ground) is left untouched, I look for the same quality in my work. It is one of the defining factors if a piece can leave the studio.

In watercolor, the paper is left untouched in areas. These areas allow light into the image. By doing this, the art is also unveiling itself. It cannot be mistaken for an actual representation of the object. It will remain an image on paper.

In my work, stitches are left out. It allows for light into the art in the same way watercolor does. The lack of stitches allows the debris netting to be exposed. The material on which the piece is created is as important as what is created on it.

It also allows the viewer to see to the other side of the art. So the viewer can see THROUGH the piece. The stitches block the sightline, define the space of the art (as in the art is here).

By allowing the viewer to see through the work, the metaphor for absence and presence builds. What is left out is as important as what is left in. What can be seen on the other side is as important as the barrier (or art in this case).

May we strive to look at others this way. To recognize their physical attributes, and at the same time witness what is on the inside.